Jim Coleman (of Nightingale at Large fame) made the following comment to an earlier post on Ocularcentrism. His insights are too provocative to lay hidden in the folds of this blog: I wanted to be sure you noticed …the article in the April 16th New Yorker by John Calapinto on the language of the Piraha, […]
Month: April 2007
Mark Strand: A Suite of Appearances
A Suite of Appearances In another time, we will want to know how the earth looked Then, and were people the way we are now. In another time, The records they left will convince us that we are unchanged And could be at ease in the past, and not alone in the present. And we […]
Real Estate, and Context
In a sense art has been a space race at least since the onset of Cubism, which shattered the calm of one-point perspective and, with collage, punctured the barrier between art and reality. Art’s spaces really started multiplying in the 1960s, with the successive splinterings of Fluxus, Happenings, Pop, Minimalism, Arte Povera and Neo-Concrete and […]
Strange Writings and Star-Charts
Stone Go inside a stone. That would be my way. Let somebody else become a dove Or gnash with a tiger’s tooth. I am happy to be a stone. From the outside the stone is a riddle: No one knows how to answer it. Yet within, it must be cool and quiet Even though a […]
In the Tangents
I have often used the phrase, “somewhere between what is hidden and what is seen” as a way to describe what pulls me in and inspires. So I was enchanted when a young Irish student visiting a show of my work in West County Cork turned to me and said, “I think I know what […]
The Longing for Calm Repose
In this contemporary technological world, we have all become travelers. We struggle with teachings that have slipped into disarray, searching for guideposts that are no longer there, markers that have faded from disuse, signs that no longer fulfill their function. We desperately, secretly, or even unconsciously, long for the image of calm repose, wisdom, and […]
Sol LeWitt
Sol LeWitt’s passing yesterday has had me reviewing with gratitude the delight I have experienced with his handiwork. He lived outside of categorization, moving effortlessly as his desires morphed from Conceptualism to Minimalism to his own brand of glorious and retinally rich expressionism. His collaborative wall murals always felt fresh, immediate and irresistibly upbeat. My […]
Landscape and Contemporary Art: Joan Mitchell
Joan Mitchell’s work straddles the line between abstract expressionism and landscape more than almost anyone else. Her paintings, many of them quite large, create a sense of place of their own while referencing our collective sense of land and the space surrounding us. On a personal level, Mitchell–in spite of all the horrific stories of […]
Painting, in the Larger Context
In her essay, ‘Moorditj Marbarn (Strong Magic)’, Aboriginal artist Julie Dowling quotes Jean-Paul Sartre who described the role of painting as ‘the painter paints the world only so that free men may feel their freedom as they face it’. Her belief that painting is her means of cultural and personal survival provides an important perspective […]
Landscape and Contemporary Art: Diebenkorn’s Ocean Park
Diebenkorn has been a flagship artist for me. I saw the first showing of his Ocean Park series while I was still in college, and seeing those luminous paintings was a turning point in my aesthetic education. I have never lost interest in this work, and every time I find one hanging in a museum–they […]