Two Boston museum recommendations:
At the ICA
I have looked at examples of Charles LeDray’s work online for several years, but seeing his work in person is a whole different kettle of fish. As an idea his approach seemed almost too precious—his curious obsession (and I mean that literally) with the fabrication of thousands of miniatures, done with a decidedly fine art flair. But that originating concept disappears when you are actually in conversation, face to face, with these artifacts. His Art Angel sponsored exhibit, Mens Suits, is best experienced in silence. The absence of the living forms for whom these items were fashioned is so palpable I found myself tearing up. This is work that must be seen in person, whether you catch it here or at the Whitney Museum in October.
The description from the ICA website:
For over 20 years, New York-based artist Charles LeDray has created handmade sculptures in stitched fabric, carved bone, and wheel-thrown clay. LeDray painstakingly fashions smaller-than-life formal suits, embroidered patches, ties, and hats, as well as scaled-down chests of drawers, doors, thousands of unique, thimble-sized vessels, and even complex models of the solar system.
The exhibition gathers approximately 50 sculptures and installations, from seminal early works to the first U.S. presentation of MENS SUITS (2006-2009), his highly acclaimed project presenting three complex, small-scale vignettes of second-hand clothing shops. The ICA will also premiere Throwing Shadows (2008-2010), an extraordinary new ceramic work including more than 3,000 vessels made of black porcelain, each less than two inches tall.
At the MFA
Nicholas Nixon’s new exhibit, Family Album, is a loving family portrait by a consummate photographer. Seeing the Brown Sisters hanging together on a wall is always a show stopper. But I loved the chance to view new images of Nick’s children Sam and Clemmie (who grew up with my own in Brookline.) One photograph is of a note scrawled by a very young Clemmie apologizing for her bad behavior. In another, Sam’s hands are grubbily holding a stack of bills. These fit right in alongside the flesh of these babies next to Bebe’s breast or an array arms and legs indecipherably intertwined.
Certainly other families have been portrayed in an artistic setting. The most notorious is probably still Sally Mann’s photographs of her children 20 years ago. But without being showy or self-aggrandizing, Nixon has captured a wholeness and healthiness in his family that is hard to fake. And the photos are, as always, masterfully toned and exquisitely composed.
From the MFA website:
Among the most compelling of Nicholas Nixon’s series of photographs are the portraits that he has made of his close-knit family. These photographs, taken over time, explore the nature of long-committed relationships. The exhibition features the entire sequence of the celebrated portraits of the artist’s wife, Bebe, and her three sisters. Taken annually, the Brown Sisters pictures reveal gradual changes in their physiques and shifts in their relationships. The exhibition also includes photographs of the artist’s daily life with Bebe and their children Samuel and Clementine (born in the early 1980s), which enable viewers to share in the daily interactions and joys of parenthood. Also included in the show are recent portraits of Bebe and self-portraits that stand for the steadiness of long marriage. Nicholas Nixon, who teaches at Massachusetts College of Art, is one of the most celebrated American photographers of our generation. The Brown Sisters photographs are a promised gift of James and Margie Krebs. Many of the other works in the exhibition are loans from the photographer.
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