Like most of my readers, I track creativity research like a part time job I’ll have for the rest of my life. With an increased interest in understanding how creativity and innovation play out in the arts as well as in every other aspect of life, good vetters on this research are a valuable resource. And no one vets the literature on creativity better than Maria Popova. (If you haven’t yet discovered her site Brainpickings, just one visit and you’ll understand why so many of us stop in every day.)
In a recent post, Popova highlights the work of MacArthur genius grantee Angela Duckworth. As a psychology researcher, Duckworth digs deep into understanding how people use self-control and “grit”—her term for that relentless work ethic of sustained commitment to a long term goal—to achieve success. Duckworth claims that character is at least as important as intellect and that the secret of genius is doggedness rather than innate talent.
(For those who are curious, take Duckworth’s quick test for measuring your grit.)
Sharon Loudon has offered up another window into how these qualities play out in that notoriously difficult, discouraging and yet deliciously satisfying profession of visual art. Her new book, Living and Sustaining a Creative Life: Essays by 40 Working Artists, shares the very personal stories of artists who have found a way to continue doing their work regardless of the financial, emotional, relational and obligational challenges that come with that profession.
What struck me while reading each of these personal histories was how direct and honest the accounts were. Loudon succeeded in maintaining a consistent point of view that thankfully sidesteps those notorious and irritating proclivities to narcissism (A recent article by Jill Steinhauer on Hyperallergic was titled, “Want to Be an Artist? Try a Little Narcissism.” No thanks.) Published by the British press Intellect, Living and Sustaining also stands out for its well designed blending of text, image and white space.
These stories are a heartening reminder that each of us has the option to fashion a career on our own terms. None of the artists included in this collection had success handed to them. They are all hard working and grit-rich.
Those qualities, very similar to Duckworth’s research, are captured in this heartening quote from Carter Foster, Curator of the Whitney Museum, which Loudon wisely placed at the beginning of the collection:
For me, artists are driven to do what they do no matter what. It’s a very powerful ambition and they pursue it in whatever way works best for them. Artists have a practice and pursuing and developing it is always the motivating factor, not whether or not they will sell something or even find a venue in which it can be seen. In my experience, artists are among the most self-motivated, organized, the most disciplined and the hardest working people I know. Sure, some artists are lucky enough that they can make a living doing it while other artists work day jobs or supplement their practice by teaching or other means. But I don’t think the distinction is important. It’s the seriousness of purpose that I admire the most.