Up Stairs In Sight: Installation by George Wingate As a painter, my work in the studio is all about thingfulness: I am bringing an intense focus to bear in an effort to rouse a flat white plane of canvas or wood into a state of aliveness. Beyond the boundaries of that surface and unseen to […]
. Anecdote of the Jar I placed a jar in Tennessee, And round it was, upon a hill. It made the slovenly wilderness Surround that hill. The wilderness rose up to it,And sprawled around, no longer wild. The jar was round upon the ground And tall and of a port in air. It took dominion […]
George Wingate is a life long friend and an artist whose explorations have always been engagingly 360. His work has a staggering range. Most recently he has been mastering the weekend only installation: transforming empty storefronts, exhibit spaces or even the homes of friends. This past weekend George expanded that pop up skill set to […]
When I arrived in New York City in the early 70s—fresh from a very different cadence that was life on the Other Coast—my first roommate was another artist. George Wingate rented me my first berth on the Upper West Side of Manhattan for $87.50 a month, and we went on to become friends for life. […]
In Water, an exhibit currently on view at the Beyond Benign Gallery in Wilmington Massachusetts Putting this show together, getting it installed and then celebrating with friends—pure pleasure. Thank you to so many who contributed to this effort: The great staff under Amy Cannon at Beyond Benign, Jerry Beck at the Revolving Museum, John Warner […]
Remaya 2, mixed media on wood panel, 36 x 36″ A year ago I had a conversation with Jerry Beck, good friend and founder of the well known Revolving Museum (in Jerry’s nomenclature, a “nomadic nonprofit cultural organization”). We shared an interest in exploring the linkages between art and science, and we agreed that New […]
Installation view from George Wingate’s one day exhibit, Up Stairs In Sight,* a show of unconventional but undeniable brilliance by an artist more people should know Artistic gatekeeping. The role of the critic. The mantle of authority. The new democratization of how any of us can find, read, look and listen. Two years ago Morley […]
The pleasures of making marks In writing Bento’s Sketchbook: How does the impulse to draw something begin?, John Berger has fashioned a book that is a hybrid cobbling of many facets of the his persona—memoirist, philosopher, art historian, artist, political essayist, cultural critic. Berger has a long history as a writer and a well recognized […]
George Wingate viewing “Candara” at the show in Providence (photo by Robert Hanlon) George Wingate, artist and life long friend made a trip down from Wenham to see the show at Rhode Island College, “Acquire/Inquire.” He sent me the photograph above with these simple words: standing before the moon. Oh that I could evoke that […]
The “rag and bone shop” barn studio of my (nearly) lifelong friend, artist George Wingate. Our conversations here and in other venues over the last 40 years have been some of my favorites. My friend Robert Hanlon recently wrote me and said, “You are an expensive friend: you make me buy books!” Sorry Robert, but […]