• Art Making
  • Hands that See and Eyes that Touch

    Belkis Ayón, collograph (detail,) from the show, NKAME: A Retrospective of Cuban Printmaker Belkis Ayón, at El Museo Barrio, New York We live in an ocularcentric culture, one that gives sight precedence over all over sensory stimuli. In one of my all time favorite books, The Eyes of the Skin: Architecture and the Senses, Juhani […]

  • Art Making
  • The Just Out of View

    Seen on a table in a gallery in Charleston, South Carolina The “just out of view” has intrigued me for a long time. My artistic journey began many years ago with a particular fascination for exploring that domain between what is hidden and what is seen: nature’s nooks and crannies, the microscopic and macroscopic, the […]

  • featured
  • Finding the Forgotten Note

    Pottery by Lucie Rie; painting by Okada Kenzo, “A Story” A seasoned and accomplished artist friend recently shared a painful encounter with a curator. During a studio visit, the curator—much younger than my friend—declared that her work lacked irony and anxiety. In his view, her approach was not relevant to the contemporary 21st century experience. […]

  • Books
  • Taking Flight

    Small Point, Maine Angeles Arrien assembled The Four Fold Way after spending many years living with indigenous cultures as a cultural anthropologist. She observed that these non-first world cultures actually did a better job of offering their residents a way of life that has more access to joy and happiness than ours. In case you […]

  • featured
  • The Don’t Know Mind

    The human brain contains structures and shapes that may have up to 11 dimensions. (Photo: Blue Brain) Being baffled, confused, incredulous, angry, outraged—those are the emotions that I feel and hear more than ever before. Going through the Slow Muse archive, I found a few segments from a post in 2015, Identity, Universality and the […]