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By Deborah Barlow

Month: February 2007

  • Art Making
  • ...
    • Artist wisdom
    • Seeing and looking

Sensibility vs Power

Posted on February 7, 2007by Deborah Barlow

In The Accidental Masterpiece, Michael Kimmelman relates a conversation he once had with the photographer Cartier-Bresson. While viewing a self-portrait by Bonnard, Cartier-Bresson said, “You know, Picasso didn’t like Bonnard and I can imagine why, because Picasso had no tenderness. It is only a very flat explanation to say that Bonnard is looking in a […]

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  • Art/Language
  • ...
    • Poetry
    • States of mind

This, Now

Posted on February 6, 2007by Deborah Barlow

You Reading This, Be Ready Starting here, what do you want to remember? How sunlight creeps along a shining floor? What scent of old wood hovers, what softened sound from outside fills the air? Will you ever bring a better gift for the world than the breathing respect that you carry wherever you go right […]

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  • Art Making
  • ...
    • Creativity
    • States of mind

Zen Bits

Posted on February 3, 2007by Deborah Barlow

In the case of a Zen artist, there is then no artistic reflection. The work of art springs “out of emptiness” and is transferred in a flash, by a few brush strokes, to paper. It is not a “representation of” anything, but rather it is the subject itself, existing as light, as art, in a […]

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  • Left speechless
  • ...
    • Sound

Jason Moran in Cambridge

Posted on February 3, 2007by Deborah Barlow

Jason Moran and Bandwagon played two sets at the Regatta Bar in Cambridge last night. I was glued to my seat through both. Jason and crew (Tarus Mateen on bass and Nasheet Waits on drums) were joined on several numbers by Jason’s wife, Alicia Hall Moran, one of which was an aria from Turandot. Who […]

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  • Left speechless
  • ...
    • Seeing and looking
    • Slow art

Connecting Outside of Language

Posted on February 1, 2007by Deborah Barlow

Todd Gibson, speaking about Agnes Martin (and in particular, his favorite Martin, Milk River, at the Whitney Museum): Some paintings make for great public lecture material. Others are best used for quiet, personal contemplation. Martin’s work from the 1960s never fails to bring me to a place that even other great artists who strove to […]

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