“Ekka,” a newly completed painting (33 x 47″). An art collector had this to say when she stopped by my studio recently: “Lately I have wanted to just quietly commune with a work of art. I am not interested in deciphering references or spending time getting the inside jokes. I just want to find a […]
Art
- Aesthetics
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Useful Space for Thought
Detail from one of my recent painting series, “Angaris” I recently found two statements about painting by Australian artist Helen Johnson that were very resonant for me. While Johnson’s work has identifiable content, her approach and attitudes are aligned with my work as a non representationalist. First, her description of painting from a roundtable about […]
- Art Making
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In Both But Neither
Boli (Photo: Brooklyn Museum) Bolis are abstract figures that are from the Bamana culture. The basic form, a bit like a simplified cow, is made from mud, eggs, chewed kola nuts, sacrificial blood, urine, honey, beer, vegetable fiber, and cow dung. The role of the boli is to regulate energy, whatever is moving from the […]
The Discipline to Discard
Sign post encountered on a hike in New Zealand Jim Collins is a business writer whose target audience is usually not visual artists. But wisdom has leaky margins and the best crosses the categories. In a recent essay Collins writes: A great piece of art is composed not just of what is in the final […]
OK Plateau
A universe emerging in the surface of a pan: Still in search of mastery Once we have acquired a certain level of expertise at a task, it is easy to just go into autopilot. Some call that place the “OK Plateau”—where good enough is good enough, and there really isn’t much intrinsic motivation to improve […]
- Aesthetics
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Nozkowski: Art Objects are Gifts
Thomas Nozkowski, Untitled (7-107, LA III), 1998, oil on linen on panel, 22×28” (Photo: BOMB Magazine) [Note: Here is another post I have pulled up out of the Slow Muse archive from 2012. I am still a bit ham-handed from my surgery and typing is hard so I have been revisiting posts that speak to […]
- Art Making
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Silky Attention
The sand along the shore in Small Point, Maine: The water’s silky attention brought to bear [Note: I had surgery on my right hand this week so my ability to type has been compromised while it heals. I am reposting from a few years ago since Jane Hirshfield continues to be a guiding force for […]
Standing with Stafford
Cook’s Beach, New Zealand Every artist has her own way of working. For me there are a few fundamentals that anchor my art making: Daily practice is one, and a willingness to surrender to the process is another. Following that thread will take you where it will, often down surprising and unexpected side roads. Interfering […]
- Art Making
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Legacying a Life
Conflagration, by Gordon Waters (Photo: Art collection of the University of Western Sydney) After years of experience and a commitment to abstraction I am able to “forget myself” with greater ease. The pictures have begun to determine me instead of the other way around. In the process, a more cohesive body of work has evolved. […]
- Art Making
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Grit-Rich
In my studio: Hand molds in a peat bowl by friend and artist Rachel Parry. Parry made both of these objects from substances she found on her land in Allihies, Beara, Ireland. Like most of my readers, I track creativity research like a part time job I’ll have for the rest of my life. With […]