Balancing intuition against sensory information, and sensitivity to one’s self against pragmatic knowledge of the world, is not a stance unique to artists. The specialness of artists is the degree to which these precarious balances are crucial backups for their real endeavor. Their essential effort is to catapult themselves wholly, without holding back one bit, […]
Art
- Art Making
- ...
Truth, Lies and Dodges
I had a conversation yesterday with LP (Lisa the Poet) about speaking the truth whether it be in poetry or in the visual arts. She went to the same lecture by Jenny Saville that I have written about here (although at the time we did not yet know each other) and felt immediately at home […]
This Plague of Paint
View of my studio, looking north Friend and artist Pam Farrell has invited artists to do a show and tell on her blog. Calling her project Interactive Studio Blog Post–ISBP–Pam now has nearly 10 artists who have participated. Their postings typically feature a work or body of work and an image of their studio. Pam […]
- Aesthetics
- ...
Hypo-Hope
Today is the last day of the show Drawn to Detail, at the DeCordova Museum in Lincoln Massachusetts. From their description of the show: Drawn to Detail features a variety of contemporary drawings with a very particular focus. This exhibition displays the work of 26 American artists who explore extreme attention to detail, obsessive mark-making, […]
- Aesthetics
- ...
Finding the Edge
One of my art professors had a spiel about how to push a work to its farthest edge by reminding us that a great work of art almost doesn’t work—but it does. It was his way of getting his students to take risks, to push out beyond what feels safe. There’s really no other way […]
Nothing but Wows
Kellin at the Certosa Monastery (with a light and tonality that reminds me of a Giotto fresco) I’m back from Italy, and the intoxicating colors of that landscape are still projected on the back wall of my mind. That palette has been commented on ad infinitum, ad nauseam, but for good reason. No one can […]
Elizabeth Peyton: In Between
Flower Ben, by Elizabeth Peyton I have had a long relationship of ambivalence with Elizabeth Peyton’s work. And I’m not alone. As famous as she is–she is a true art world “darling”–there are many like me who cannot find their deep way into her work, to that place where you really feel connected. Sometimes a […]
It Isn’t About What is Seen
Artist Agnes Martin, 1912-2004 Another thank you to Pam Farrell for leading me to artist Susan York’s account of her relationship with the legendary Agnes Martin. I’ve included the text at the end of this post. It offers a compelling window into Martin’s way of seeing the world. Martin is a quirky but powerful presence […]
- Art Making
- ...
Joined at the Metaphysical Hip
Pam Farrell wrote a provocative piece on her excellent blog, P Farrell artblog, that explores the relationship between the artist and the studio. (Anyone interested in this discussion should go to her site and consider participating in a challenge she has posted.) Part of every artist’s consciousness, the space where the work gets done holds […]
Kubota’s Kimono Art
About 15 years ago my friend Colleen Burke introduced me to a book she had purchased in Japan. It featured the kimono art of Ithciku Kubota. I had never seen anything like this. The technique was utterly baffling and intriguing, but it was the final product that held my attention for hours and hours. I […]