To the End of the Earth and Back Without Sound

I’m still sitting in the fragrance of the excerpted passages from the Francis Clines article that I posted earlier this week. This visual image for example has a powerful persistence for me: For his opening classes at Harvard, Heaney usually prescribes selections from East European poets, stark verse that is hardly the language of bogus […]

Timorous or Bold

I found a passage from a poem by Seamus Heaney, quite by chance. It stopped me in my tracks: ”The way we are living, timorous or bold, will have been our life.” Just coming out of a long period of living life beneath the surface of things, those words cut through to the bone. So […]

The Object of My Affection

Here’s a midwinter diversion for you. From Slow Muse friend and frequent commenter, Elatia Harris: 3 Quarks Daily is known as one of the blogosphere’s more cerebral haunts, and it occurred to me that habitues of 3QDistan might know a great deal about being broken-hearted by a poem, a song, a building, or most of […]

Brown

I’m a huge fan of Stephin Merritt, inspiration behind the Magnetic Fields and a slew of other collaborations. He has that Elliott Smith-like proclivity to combine unexpected lyrics with a wide range of hummable music. (I like this description: “bitterly smart lyricism and a musical-survey style.”) The results don’t feel forced or manipulative, just delightfully […]

Navigating the Imagination

Joseph Cornell: Navigating the Imagination by Lynda Roscoe Hartigan, was reviewed by Leah Hager Cohen in the New York Times on Sunday. (I have an excerpt from this excellent review on my filter blog, Slow Painting, if you didn’t catch it.) Hartigan’s book is the catalog for the show that just closed at the San […]

El Anatsui, in New York

I saw my first installation by Ghanain-born sculptor El Anatsui at the De Young Museum in San Francisco. I came back from that trip and posted about that exquisite object–part textile, part tactile sculpture, made of bottle caps and wire. Since then he was featured at the Venice Biennale and is now getting well deserved […]