I’m off to New York for a few days. Before I go, I will share some thoughts about simplicity and transcendence. I am probably being drawn to this viewpoint as a way to counteract the commencement of a holiday season that often feels more garish and overstated than heartwarming. “Translation,” wrote Kakuzo Okakura…”can at best […]
Art/Spiritual
Pandemonium in G Major
I love this guy. Alex Ross writes about music for The New Yorker. He is so reliably brilliant, and my musician sister Rebecca and I both turn to his articles first when the magazine arrives at our respective homes. Then we call and talk about the nuance he captured or yet another poignant insight. His […]
Water and Longing, Light and Hope, Nature and Pain: Osvaldo Golijov
Osvaldo Golijov’s music speaks to me. Ever since the performance in Boston of his glorious La Pasión según San Marcos in 2000, I have followed his eclectic, unexpected and, for me, ever redemptive work. Recent favorites include his opera about Federico García Lorca, Ainadamar, and Ayre, his hauntingly beautiful work featuring his personal muse, the […]
Wisdom, and Lots of Silence
Creativity comes from trust. Trust your instincts. And never hope more than you work. –Rita Mae Brown These days I’m filling life with a lot more silence than is usual for me. Just a single thought or insight seems food enough for a day in the studio. And each morning begins by breaking everything apart […]
Nature, Seeing, Thinking
A few koan-like insights on art, nature, seeing and thinking: Art is not what we see; it is in the spaces between. –Marcel Duchamp . . Everything we see hides another thing, we always want to see what is hidden by what we see. Only thought can resemble. It resembles by being what it sees, […]
Learning Rumanian
DM, one of my favorite blogging buddies, is the voice behind the always thoughtful and provocative blog, Joe Felso:Ruminations. In a posting a few weeks back, he wrote about a book by Richard Hugo, The Triggering Town, Lectures and Essays on Poetry and Writing. I ordered a copy without hesitating, after reading his inspiring riff […]
Green Valleys
Sweet stars, I’ll ask a softer question: Moon attend me to the end. I’m here alone. The feeling that one is on the edge of many things: that there are many worlds from which we are separated by only a film; that a flick of the wrist, a turn of the body another way will […]
Matisse, Giotto and the Religious Imagination
Giotto fresco in Padua Another excerpt from Out of Eden by DiPiero. This one is from the essay, Matisse’s Broken Circle, and is particularly interesting in its reference to Matisse’s concept of the religious imagination and his emulation of Giotto. I am compelled by DiPiero’s claim that Matisse’s career was “the most sustained and variegated […]
Painting the Facelessness
Another passage of interest from W. S. Piero’s Out of Eden: Why are the jets and emulsive tracks of paints in Pollock’s Lavender Mist: Number 1, 1950 so compelling? It’s not only because he was creating a greater plasticity of space and laying out dozens of contested fields of formal activity where disintegrating patterns pitch […]