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By Deborah Barlow

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Stories, Integrity and Horizontalities

Posted on January 25, 2024March 19, 2025by Deborah Barlow

Slow Muse has been a personal repository for my thoughts and feelings about art, art making and creativity for almost 20 years. As the landscape of creativity has constantly changed, I have frequently been surprised by what persists and what does not. At this particular moment in time artistic expression has become increasingly politicized, then […]

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Todd Hearon: A Salmon’s Journey

Posted on August 26, 2023August 28, 2023by Deborah Barlow

There’s a story told by the poet Ruth Stone. While working in the fields in Virginia, she could feel and hear when a poem was traversing the landscape, coming right at her. It was like a “thunderous train of air,” shaking the earth under her feet. The only thing to do was “run like hell” […]

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Diving into the Mystery

Posted on March 16, 2019March 17, 2019by Deborah Barlow

I’ve lived long enough to remember when Advice for Artists was a quiet, contemplative stream at the edge of town. Now it is a surging river with big crowds, water sports and riverboat casinos. Much has changed since Julia Cameron published the The Artist’s Way in 1992. Originally titled Healing the Artist Within, the book […]

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  • Creativity

Incubation and Its Mysteries

Posted on April 2, 2016by Deborah Barlow

My daughter Kellin noodling with her niece Siena 18 months ago Joan Acocella, long standing dance and culture writer for the New Yorker, discusses how the path of a new idea comes into form in her recent article, A Nice Little Talk. She uses a set of conversations held between dancers as a good example […]

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Pocketed Fear

Posted on February 23, 2016February 23, 2016by Deborah Barlow

Mark Rylance plays Thomas Cromwell in “Wolf Hall,” brilliantly brought to life in the writing of Hilary Mantel (Photo: PBS) I’m a passionate fan of Hilary Mantel‘s books, especially Wolf Hall and Bring Up the Bodies. In a profile of the author by Larissa Macfarquhar that appeared in the New Yorker in 2012, Mantel’s way […]

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The Right Way

Posted on November 3, 2015November 3, 2015by Deborah Barlow

“Guardians of the Secret”, collage by Barry Swyers, an artist and friend who passed away earlier this year. Artist Ben La Rocco in conversation with Craig Olson, on Hyperallergic: There is some kind of confusion in my nature with regard to received methods of doing things. I’ve always had it. I’m left handed, mildly dyslexic […]

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Whales, Horses and the Hand

Posted on October 26, 2015by Deborah Barlow

In praise of the hand (found on a trip to India several years ago) Laurie Fendrich (painter/writer partnered with painter/writer Peter Plagens,) has written thoughtfully about the concept of a “mature” or “signature” style. “All serious painters, no matter the quality of their work, inevitably end up with a mature style,” she wrote in the […]

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The Through Line

Posted on October 9, 2015January 25, 2016by Deborah Barlow

Porthole glimpses into the complexity of layers under the surface of the ice and snow Megan Hustad‘s memoir of a childhood as the daughter of evangelical missionaries, More Than Conquerors, brings her insightful mind to bear on more than Christian theology and the usual themes found in a Bildungsroman. In a conversation recounted near the […]

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Permeability

Posted on August 31, 2015September 8, 2019by Deborah Barlow

Somewhere between what is hidden and what is seen: A matchbook found at the bottom of a box of paints from my days on the Lower East Side in the 1970s. In Jane Hirshfield‘s slim but wisdom-packed book, Hiddenness, Uncertainty, Surprise: Three Generative Energies of Poetry, she includes a poem written in 1000 CE by […]

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  • Aesthetics
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The Terroir-Driven Life

Posted on July 28, 2015September 8, 2019by Deborah Barlow

Mosel, the German valley most associated with Riesling wines (Photo: Friedrich Petersdorff) I’ve been laboring to write about (mostly) art making and creativity on this blog for almost 10 years. One of the overarching themes has been the search for language that comes in close, authentically, to the experiences I have when I am in […]

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