Nigralle, by Deborah Barlow Mixed media on wood panel, 36 x 36″ Circulation, by Kay Canavino Digital Archival Print, 13 x 28″ Limantour, by Ramah Commanday Ceramic, 18 x 21″ I’m so happy to be showing my work with two artist friends whose work I admire greatly, Kay Canavino and Ramah Commanday. The idea of […]
Current viewings
The Light Within: Opening Reception at Brooklyn Workshop Gallery
Thank you to everyone who joined in at the opening reception of my show, “The Light Within”, at Brooklyn Workshop Gallery last Thursday, September 17. The paintings were beautifully echoed in the ceramic work by Amani Ansari. It was a great night. Special thanks to the amazing BWG team—Martine Bisagni, Amani Ansari and Iviva Olenick, […]
Essential Unknowability
Ghostly: ‘Untitled’, 1977, is on show in Agnes Martin’s Tate Modern retrospective Photo: Agnes Martin / Artists Rights Society Some would say there has been enough written about Agnes Martin to last us for a while. Her show at the Tate Modern (up through October 11) has produced many reviews, plus two new books about […]
Art as a Well Planned Crime
One corner in my new show, “The Light Within”, at Brooklyn Workshop Gallery (September 5 – October 11.) The combination of metallic surfaces on the series to the right (“Silma 1-4”) and the chalky intensity of “Kannakam” on the gorgeously textured wall on the left pleases my eye. How to talk about the visual without […]
Behind, Beyond, Beneath: Scaling the Continuum
A few installation shots from my recent show at the Morris Graves Museum in Eureka California, Behind, Beyond, Beneath: Scaling the Continuum. At the opening event on Saturday night, over 800 people came through the museum. I met some extraordinary people and had a terrific evening. Special thanks: A stellar team and museum staff—Jemima Harr, […]
Upcoming Show in California
My new exhibit, Behind, Beyond, Beneath: Scaling the Continuum will open April 25 at the Morris Graves Museum of Art in Eureka California. The show features paintings from a variety of series that I have worked on over the last five years but held together by an ongoing exploration into the “micro to macro” span […]
Material and Matter: Show in Connecticut
Doing a show with artists whose work you admire and who you consider to be your good friends—that’s a sweet spot that doesn’t happen often. Luckily it was the case with this recent show. The four of us conceived of this work hanging together, and we were able to do the installation ourselves. I am […]
Richard Tuttle in Maine
“When Pressure Exceeds Weight VI,” by Richard Tuttle (2012) (Photo: © Richard Tuttle/Universal Limited Art Editions) “In Praise of Historical Determinism I, II, III,” by Richard Tuttle (Photo: © Richard Tuttle/Brooke Alexander) Richard Tuttle: A Print Retrospective at the Bowdoin College Museum of Art is a sophisticated, intelligent, inventive, provocative and exuberant exploration of over […]
The Art of Being Wooed
Charles Burchfield writing at his desk, by William Doran (Photo: Charles E. Burchfield Archives, Gift of William Doran) For years I had Charles Burchfield misfiled under “Depression Era Regional Artists” along with Thomas Hart Benton, John Steuart Curry and Grant Wood. It wasn’t a file I spent much time rifling through, so my error wasn’t […]
Pardon My Dyspepsia
I don’t spend a lot of time thinking about the work of Norman Rockwell. He used the techniques of illustration to paint a world that ignored complexity and captured some imagined untroubled time. As W. S. Di Piero points out in an essay about his work in When Can I See You Again?, “He represented […]