WARHOLCAPOTE, at American Repertory Theater, Cambridge MA (Photo: Gretjen Helene) In the early 1990s, Anna Deveare Smith created a new kind of “documentary theatre” based on the language that came from taped interviews with everyday people. Fires in the Mirror was about the 1991 Crown Heights riot, and Twilight: Los Angeles, 1992 dealt with the […]
Theater
Self-Preservation During Dark Times
Opening scene from “Romeo and Juliet,” Commonwealth Shakespeare Company, Boston MA What is the point of making beautiful things, or of cherishing the beauty of the past, when ugliness runs rampant? Those who work in the realm of the arts have been asking themselves that question in recent weeks. The election of Donald Trump, and […]
Arrabal
Arrabal, at American Repertory Theater (Photo: A.R.T.) Every country has its dark chapters. But once it becomes possible to assemble a narrative, the way those stories are told matters immensely to the ongoing health of a nation. The Truth and Reconciliation Commission in South Africa (now called The Institute for Justice and Reconciliation) used a […]
The Night of the Iguana
Tennessee Williams (photo: Yousuf Karsh) It is an artistic exercise of a particular kind to comb through the books and plays of the past and to find those that achieve resonance—or a fresh reading—for contemporary audiences. American Repertory Theater has taken that tack in past seasons (a production of Paradise Lost, written by Clifford Odets […]
Bring on the Counter-Narratives
Fingersmith, at A.R.T. (Photo: A.R.T.) Counter-narratives become much needed palliatives when the storyline of daily life becomes poisonous. Watching the transition to a new regime of power in Washington is like a flashback to the most addled aspects of the 1950’s. As Thomas Friedman recently wrote in the New York Times, “There is actually something […]
Guided by Stars
The Starry Plough flag, at the Irish National Museum, Collins Barracks We are going through a period in our history that feels like a Rubicon crossing. Decisions made now will have ramifications that will be long, deep and unperceived from our current viewing spot. Brexit was one of those ramifying decisions, and the U.S. presidential […]
Doing Time: Anna Deavere Smith
Most of us have a list of artists, writers and musicians who have touched us so consistently that we are ever ready to reach out to each new work that emerges. Once ensconced in my personal hall of fame, my list of carefully chosen creatives are my personal canonicals. I show up for everything they […]
Micro-Cultures of our Own Making
In one of the essays included in William Gibson‘s book, Distrust That Particular Flavor, he refers to the “personal micro-culture” that every artist creates around herself. “We [are] shaped as writers, I believe, not much by who our favorite writers are as by our general experience of fiction.” That notion of a micro-culture extends beyond […]
Full Brow
Jim Lichtscheidl, Louis Jenkins, Mark Rylance, and Kayli Carter in Nice Fish. (Photo: Evgenia Eliseeva) The term highbrow was first used in the late 19th century, a reference to the arcane practice of phrenology. In this head measuring methodology, people of intelligence were believed to have a higher brow line. While phrenology was eventually discarded […]
Riding the Comet
“Natasha, Pierre and the Great Comet of 1812” (Photo: Evgenia Eliseeva, courtesy of the A.R.T.) Diane Paulus‘ theatrical vision and aspirations are the driving force behind some of the most successful “immersive” theater events in Boston since she took over as artistic director of the A.R.T. at Harvard*. While previous productions have offered the audience […]