The landscape in the Lakes, near Hesket Newmarket One of the reasons I have made repeated visits to the Lake District in England is because the land feels porous. It is as if the barriers are fluid and the membrane between earthness and creatureness has been rubbed into a soft and pliant translucence. Being in […]
Higher Ground
Flooding in Cumbria The river claims the road Higher ground now means something to me that it didn’t before spending 10 days in Cumbria. The natives of this lush and rainy region near Scotland now refer to the days of rain that culminated in 12 inches in just 24 hours as the 1000 year storm. […]
Taking a Break
One of the many lakes near Keswick I’m in the Lake District in England for 10 days. I’ll be back online after November 22nd.
When the Land is Calling
Doomsday The dark that’s gathering strength these days is submissive, kinky, silken, willing; stretched taut as a trampoline. World events rattle by like circus trains we wave at occasionally, as striped, homed and spotted heads poke out their windows. Feels like I’m wearing a corset, though I haven’t a stitch on. Burn the place setting […]
Adventures in Red
Trees along the Charles River, Boston Ah, the color red. For several weeks that hue has been a touchstone for the unspoken for me, an indicator of another realm. It started with the trees. What a fall this has been in New England, with the color coming on with an orchestrated polyphony. The red leafed […]
Wealth in Other Forms
Best description of reading poetry I’ve found was in a review of Amy Gerstler’s latest volume, Dearest Creature, from the Sunday Times Book Review. Written by a fellow poet David Kirby, it is clear he knows of what he speaks: “Look, a poem either sends you a bill or writes you a check. You can […]
The Starry Messenger
I’m a big Kenneth Lonergan fan. In fact I’ve been a fan of his since he was about 12 years old, long before he wrote plays like This is Our Youth and The Waverly Gallery, a finalist for the Pulitzer Prize in 1999. Or his Oscar-nominated film You Can Count on Me, which he both […]
Art and Meaning
John Perreault’s popular blog, Artopia, has a recent posting that brings together a disparate variety of themes. Braided into Perreault’s personal ruminations is reference to “Icons of the Desert: Early Aboriginal Paintings from Papunya”, the aboriginal art show at Grey Gallery (NYU), the “Mandala” show at the Rubin Museum, as well as a discussion of […]
Flavors of the Ineffable
Winner of the “best conversation between an artist and his/her son or daughter”: My friend George is an artist whose work ranges from representational painting to highly conceptual installation work. He’s extremely facile, but sometimes that range of output can leave his various audiences a bit confused. After his new body of work was greeted […]
Moses in Motion
Ed Moses, Untitled, 1987 (Photo: Sylvia White Gallery) Moses is a member of that increasingly interesting group of California artists that constellated around the Ferus Gallery scene (along with Billy Al Bengston, Robert Irwin, John Altoon, Larry Bell, Ed Ruscha et al) back in the 60s. He has a new show at the Sylvia White […]