Mass MoCA, You Rock

Here’s a well deserved shout out for Mass MoCA. One of my all time favorite museums, this innovative, expansive and lively space is celebrating its 10 year anniversary. That’s no small feat. (A piece about its inception is posted on Slow Painting, excerpted from an article by Geoff Edgers in the Boston Globe.) Here are […]

Leaky Margins

What Kafka had to be so clear and simple about was that nothing is clear and simple. On his death bed he said of a vase of flowers that they were like him: simultaneously alive and dead. All demarcations are shimmeringly blurred. Some powerful sets of opposites absolutely do not, as Heraclitus said, cooperate. They […]

The Politics of Nipples (We’re all Equal)

Breasts If I were French, I’d write about breasts, structuralist treatments of breasts, deconstructionist breasts, Gertrude Stein’s breasts in Père Lachaise under stately marble. Film noire breasts no larger than olives, Edith Piaf’s breasts shadowed under a song, mad breasts raving in the bird market on Sunday. Tanguy breasts softening the landscape, the politics of […]

Real + Imagined

And then the kicker is this: in passing from the real to the imagined, in following that trail, you learn that both sides have a little of the other in each, that there are elements of the imagined inside your experience of the “real” world – rock, bone, wood, ice – and elements of the […]

The Spangles of Self to Burn

Big Song I have tried it. The brag, with permission of democracy. The royal we. The big words, like courage, excellence and power, brilliance. Have tried to supercede the bound- aries of skin, hair, scarred hands, the fatigue housed by the majority of my bones, to launch a spirit large as a whole group of […]

The Three-Body Problem

A wise friend, something of a mystic and a channeler, recently described to me an encounter she had with a non-sentient being who passed through her consciousness some time earlier. In the midst of this mystical encounter with an energy that can only be described as “other” and yet not, she heard a voice in […]

That Damned Underbelly

Portrait of Francis Bacon I have posted two separate reviews on Slow Painting of the Francis Bacon show at the Metropolitan Museum in New York, one by Jerry Saltz of New York Magazine, and one by Sebastian Smee of the Boston Globe. Both touch on Bacon’s deeply troubled personal life, in particular his experience of […]