I caught the last day of Tuttle’s show at Sperone Westwater in New York last weekend. SW on West 13th Street is an open, multi-roomed white space. It could be daunting for someone whose works are often delicate and small. But Tuttle fills the galleries to the brim with intimately-sized wall pieces whose only similarity […]
Morphic Photography
Ferrofluid with permanent magnets underneath (Image courtesy of Felice Frankel) Here are two provocative examples of morphing developments in photography, especially in the age of digital (and signficantly, nearly cost free and unlimited) options. The first features Felice Frankel, author of Envisioning Science. Frankel has come a long way in bringing meangingful visual imaging into […]
Taiga in Philadelphia
All you Philadelphians (and those of you passing through town anytime between now and July 22 of this year): Terrific, terrific show of brush paintings by Ike Taiga and his wife, Tokuyama Gyokuran, at the Philadelphia Museum of Art. This is the first time their work has been featured in the United States, and once […]
Hype-Proof
Serra installation in the Sculpture Garden at MOMA For all the hype around the Richard Serra show at MOMA, I was still in awe, pure awe. There’s no way to not be, these works are insanely beautiful, massive, haunting, playful, and unforgettable. Seeing these with your inner child in full command is my best recommendation. […]
The Glass House Opens
Philip Johnson’s Glass House in New Caanan, Connecticut I’m still thinking a lot about buildings and designs for living after reading Alain de Botton’s book (see yesterday’s posting below.) An article in the New York Times today highlights a legendary building, Philip Johnson’s Glass House, which will be open to the public later this month. […]
Being Derailed by Vinyl and an Unfortunate Bedspread
Alain de Botton is a witty, well honed writer (his books include How Proust Can Change Your Life and The Art of Travel) so settling into an uninterrupted read of his most recent book, The Architecture of Happiness, was something to look forward to. De Botton is not an architect or an art critic per […]
It’s All About the Light
I’m back from Mexico, but I can still feel the intense white light that burnishes the back of your eyes after just a few hours in that unabashed sunlight. Baja California Sur is a glorious combination of two large arc themes, operatic in a visual sort of way. On one hand you are never far […]
Take Me With You, Sigmar
Carol Vogel’s written and video reports (New York Times) on Sigmar Polke’s preparations for the upcoming Biennale have me longing, deeply longing, to see this new body of work, “The Axis of Time.” (One painting from that series is posted on Slow Painting.) Vogel visited him in his Cologne atelier and feasted on a studio […]
That’s Just Pinter Being Pinter
Paul Benedict and Max Wright I saw an excellent production of Harold Pinter’s 1975 play, No Man’s Land, at American Repertory Theatre in Cambridge last night. While I respect Pinter’s larger than life influence on the theatre communities of both the US and the UK, he is not one of my favorite playwrights. My actor […]