As unpleasant as air travel has become, it still serves up that delicious, “put your headphones on and block out the world” slot of time to just read. This weekend it was spent devouring Sarah Bakewell’s captivating and award winning book, How to Live: A Life of Montaigne in One Question and Twenty Attempts at […]
Stella, Smee and Subjectivism
Chocorua IV, 1966. Fluorescent alkyd and epoxy paints on canvas. Hood Museum of Art, Dartmouth College © 2010 Frank Stella/ Artists Rights Socety (ARS), New York. Photo by Steven Sloman. In a recent review of the Frank Stella show, Irregular Polygons at the Hood Museum at Dartmouth College, Boston Globe art critic Sebastian Smee ended […]
Gills are Given
Together The water closing over us and the going down is all. Gills are given. We convert in a town of broken hulls and green doubloons. O you dead pirates hear us! There is no salvage. All you know is the color of warm caramel. All is salt. See how our eyes have migrated to […]
In His Own Words: Anselm Kiefer
Installation view of Anselm Kiefer, Gagosian Gallery Anselm Kiefer’s show at Gagosian in New York—big, ambitious, devastatingly bleak and yet subtly redemptive—brought Kiefer to New York. (A more in depth response to the show is posted here.) In early November he appeared at the 92nd Street Y to speak with the curator Sir Norman Rosenthal. […]
Accounting for Happiness
My friend and fellow blogger Sally Reed (and the writer behind Butter and Lightning) recently posted a very moving message about grief, suffering and loss. I hope you will take a moment to visit her site and read it in its entirety. In her most recent post she included an exquisite poem by Jane Kenyon […]
A Compass Demagnitized
The Blue Flower, A.R.T. Tom Stoppard’s last two plays, Coast of Utopia (a 3 play trilogy) and Rock ‘n’ Roll, explore the historical periods preceding significant events as a way of contextualizing and unpacking those outcomes. To make sense of the 1917 Russian Revolution, Stoppard placed his 9 hour Utopia trilogy in the years between […]
Mostly Standing Still
Agnes Martin Am I no longer young, and still not half-perfect? Let me keep my mind on what matters, which is my work, which is mostly standing still and learning to be astonished. –Mary Oliver This came to me by way of Jill Fineberg, author of People I Sleep With. It captures the essence IMHO. […]
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Sidestepping the Sequence of Meaningless Events
i’m on the look out for other ways to be with the world since I’ve put myself on a Lenten program of no political reading or discussions. Too bleak. Too close to hopeless. So here’ a bit of advice on “attainable felicity” from the author of our greatest American novel, even after all these years, […]
The Darting Subtlety and Persistent Slowness of the Painter’s Eye
Sean Scully, “Wall of Light Beach” (2001). Oil on canvas. 40”× 50”. Private collection. Courtesy the Metropolitan Museum of Art In Robert Hughes’ The Mona Lisa Curse, there is a thoughtful exchange between Hughes and painter Sean Scully. Their brief conversation touches on many of the distinctions I have been writing about here over the […]
Desire is a Craft
“Kama”, a painting that was just recently sold Crispin Sartwell’s small book, Six Names of Beauty, is a personal meditation on a theme that continues to compel and evade comprehension. In that sense it is a literary journey that is refreshingly nonlinear, more rhizomatic than arboreal. Although Sartwell is a devotee of Arthur Danto, his […]