Anselm Kiefer at Gagosian Kiefer pierces my circle of empathy, that field we all carry around us that determines who and what we care about. It is not that our work shares a similar sensibility. Hardly. Kiefer is a legend in his own time, and his art goes grand, epic and high concept as dramatically […]
Art
Up Against Oblivion
Sargy Mann, blind painter Here’s a story I have never encountered before. Sargy Mann spends 25 years as a painter and ends up losing his sight. But he decides to keep painting. From an article about Mann by Tim Adams in the Guardian: “After a bit I thought: ‘Well here goes,’ and loaded a brush […]
- Aesthetics
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Resting on Perception
Saul Bellow Art and meaning. Big topic, and one that just keeps morphing and moving through our relationship with art making in whatever form that takes. I’ve written on that complex topic a lot here, if only peripherally given its depth, but my interest in it is tireless. Leon Wieseltier’s New York Times review of […]
PEM Update
18th century lacquer work from Quianlong Garden Currently at the Peabody Essex Museum: The Emperor’s Private Paradise: Treasures from the Forbidden City, on view through January 9 before it moves to the Metropolitan Museum in New York. This collection of artifacts, never before seen by the public, is taken from a sanctuary built in the […]
- Art/Theory
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Irony and Meaning
Barnett Newman I’ve been having a lot of discussions lately about irony, particularly its role in art. Many of these are conversations I have been having with parts of myself, but some of them are with friends and cotravelers. This interest was piqued a few weeks ago when a good friend with an exceptionally developed […]
Brice, What’s Not to Love?
Installation view: Brice Marden at Matthew Marks Gallery Currently on view in New York: Brice Marden at Matthew Marks Gallery. The show includes large works and drawings, with a smaller exhibit of older pieces next door. The range of these bodies of work—the gestural and transparent fluidity of the later work in contrast to the […]
A Mind of Winter
Eva Hesse, No Title, Oil on canvas. 20 x 20 inches. Verso on upper stretcher ‘August 1960 eva hesse Top.’ On lower stretcher ‘eva hesse 1960.’ Private collection, New York. Courtesy Hauser & Wirth I need to take one more thinking lap with the paintings by Eva Hesse on exhibit at the Hammer Museum. (I […]
Abuses of Power
Frank Stella, Chocorua IV, 1966, Fluorescent alkyd and epoxy paints on canvas, 120 x 128 x 4 in., Hood Museum of Art, Dartmouth College Abuses of power and money, decisions made by self serving Philistines, the infuriatingly short sighted policies that have ramifications way beyond the bounds of the elite board room—nothing new in any […]
Passion Distilled: James Magee
View of The Hill, James Magee’s masterwork in west Texas I finally received my copy of James Magee, The Hill, by Richard R. Brettell and Jed Morse. This publication accompanies a show of Magee’s work currently on exhibit at the Nasher Sculpture Center in Dallas through November 28. The Hill is hard to describe. Yes, […]
Judy Pfaff at Braunstein Quay
Lemongrass, by Judy Pfaff (Braunstein Quay Gallery) At a pre-opening soirée for Judy Pfaff’s show at the Braunstein Quay Gallery in San Francisco last week, Pfaff talked about how different—and personally satisfying—it has been to be working in her studio again. So much of her focus recently has been installation-centric: massive venues and complex sculptural […]