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By Deborah Barlow

Edmund de Waal

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Touchability

Posted on October 25, 2016by Deborah Barlow

Edmund de Waal, detail, Princeton Museum Continuing with themes inspired by Edmund de Waal in his latest book, The White Road… In a profile of de Waal that appeared in the New York Times, Sam Anderson describes de Waal as an evangelist of touch. “Thinking is through the hands as well as the head,” de […]

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When a Stack of Bowls is a Chord

Posted on October 12, 2016by Deborah Barlow

Edmund de Waal installation currently on view at the Princeton Museum With the publication and international success of his family memoir, The Hare With Amber Eyes, Edmund de Waal became a literary sensation before many knew he was, first and foremost, an artist whose specialty is ceramics. Notoriety tends to spills over, and soon his […]

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  • Aesthetics
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Nicheless de Waal

Posted on October 17, 2013July 29, 2014by Deborah Barlow

Edmund de Waal (Photo: Andrew Testa for The New York Times) Mr. de Waal’s inspiration comes as much from poets and musicians as it does other artists: the Japanese photographer Hiroshi Sugimoto “because of the abstract way he deals with an image”; composers like Steve Reich and John Adams, for their serial, repetitive music which […]

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