Essential Unknowability

Ghostly: ‘Untitled’, 1977, is on show in Agnes Martin’s Tate Modern retrospective Photo: Agnes Martin / Artists Rights Society Some would say there has been enough written about Agnes Martin to last us for a while. Her show at the Tate Modern (up through October 11) has produced many reviews, plus two new books about […]

Pitch Perfect

Agnes Martin (Photo: Mildred Tolbert) From the newly released Agnes Martin: Her Life and Art, by Nancy Princenthal: Martin’s mature paintings (she destroyed most of her early work) are incontrovertibly right, in the sense that they convince us that not a single preliminary decision or incident of execution could have been changed without damage. Composed […]