Crown Point Press, a major force in the Bay Area art scene for 40 years, has produced prints with and for some of the greats including Richard Diebenkorn, John Cage, Richard Tuttle, Wayne Thiebaud and Pat Steir. In addition to a gallery and bookstore in its well appointed space on Hawthorne Street in San Francisco, CPP has a tremendous set of files, brochures and descriptive spec sheets on the artists who have worked with founder Kathan Brown and her team of Master printers.
I spent several hours rifling through the extensive resources and files during which I found a small monograph on Judy Pfaff, one of my favorite artists. It features an in depth interview with Pfaff by Constance Lewallen of CPP.
Here’s a memorable passage from that exchange:
CL: [Your] work is not ironic as so much of the work being shown today, in which the artist is the art critic as well…You once said to me that a positive way of looking at this phenomenon is that now artists have created another arena for themselves–they can be critics, they can be businessmen.
JP: When I am in a generous mood I think that. But often I think it is very depressing that the whole art world seems to demonstrate that attitude now–cool, detached, competent. I think one of the things about being an artist is that you should be allowed to test murky, unclear, unsure territory or all you have left are substitutes that signify these positions. Having it all together is the least interesting thing in art, in being alive.
CL: Someone once wrote that your work deals with art at the fringes of confusion of life itself.
JP: I like that.