One of Boston’s best galleries, the Nielsen Gallery on Newbury Street, recently featured a retrospective of the work of Boston painter John Walker. Born in England and now director of the graduate school of painting at Boston University, Walker is a major force field in the painting space of New England.
I’ve been a fan of his work for a long time. But this show had paintings on display that were so overwhelming I could barely keep myself upright. Every once in a while that happens, coming upon work so powerful and exquisite that it physically hurts to look at it and be with it. This intense somatic reaction sometimes knocks me out of my equilibrium for days.
Walker is a painter’s painter. His strokes are wet and lush, earthy and sensuous. Color and image are bold, risky, wild. They pulsate. His hand has mastered invitationality, the irresistible “climb in here” energy.
Boston Globe art critic Cate McQuaid began her review of the show with these words:
There’s something Shakespearean about John Walker’s paintings. His forms create a restless, driving poetry.
His paint reads as an essential force of life. Big canvases squirm with hurt and wrestle with pride. Their brooding expressionism shimmers between abstraction and representation.
Yes, yes, and more.