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W. S. Piero

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Whispering to the Universe

Posted on June 17, 2017June 17, 2017by Deborah Barlow

From the Slow Muse archive: This post first appeared in April 2014 and was titled “Pitchers and Catchers.” “Veriddyi 2”, a painting that speaks to my ongoing longing to envision that first day of creation One of my favorite quotes comes by way of W. S. Piero from his book of essays, Out of Eden: […]

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The Strange and the Familiar

Posted on July 8, 2015July 8, 2015by Deborah Barlow

“Lajiva”, from a new series In his essay, The Ecstasy of Influence: A Plagiarism, Jonathan Lethem writes, “It’s not a surprise that some of today’s most ambitious art is going about trying to make the familiar strange.” That line is a reference to the 18th century poet Novalis whose early romanticism was captured in his […]

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Pitchers and Catchers

Posted on April 28, 2014July 23, 2014by Deborah Barlow

“Veriddyi 2”, a recent painting (and one that speaks to my ongoing longing to envision that first day of creation) One of my favorite quotes comes by way of W. S. Piero from his book of essays, Out of Eden: “Certain artists give up the making of representational images so that they can see through […]

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Whole Body Art

Posted on September 21, 2012August 12, 2014by Deborah Barlow

Close up view of one of my recent paintings A book I have referenced here before is From Head to Hand: Art and the Manual, by David Levi Strauss. (Previous posts referencing the book highlight artists Ursula von Rydingsvard and Donald Lipski.) Strauss writes in a way that his responses to a particular artist’s work […]

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Hybrid Vigor

Posted on September 16, 2012July 26, 2014by Deborah Barlow

Najeev 1, from a new painting series I found an extraordinary essay by Steve Baker titled “To go about noisily: clutter, writing and design.” I’ve been mulling over the issues he raises for several weeks and I am still formulating my thoughts on this topic. Clutter: It’s a much more complex topic than those hoarder […]

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