My granddaughter Siena, exploring all the available painting surfaces The assault on reason and human values that is ongoing in the political landscape isn’t confined to the ideological arena. When life’s bandwidth gets hijacked daily, resource allocation happens by default (especially for those of us over 50 who have to husband our energy.) As a […]
Month: May 2017
Entre Chien et Loup, at Brooklyn Workshop Gallery
Entre Chien et Loup is the latest exhibit of my work at the Brooklyn Workshop Gallery. I am very pleased to be able to create this show with a friend and an artist I admire, Pam Farrell. Pam and I have wanted to exhibit our work together for a long time. The evocative French phrase […]
Arrabal
Arrabal, at American Repertory Theater (Photo: A.R.T.) Every country has its dark chapters. But once it becomes possible to assemble a narrative, the way those stories are told matters immensely to the ongoing health of a nation. The Truth and Reconciliation Commission in South Africa (now called The Institute for Justice and Reconciliation) used a […]
Clew, Redux
“Clew,” installation view by Cheryl Senter Clew, a collaborative installation at the Phillips Exeter Academy, came to an end in the middle of April. The energy unleashed in that collaboration with Todd Hearon, Lauren O’Neal, Jon Sakata and Jung Mi Lee continues to pull me in unexpected directions. Thank you again to all my fellow […]
Incipient Cosmos
Monnara, from a new series July Mountain We live in a constellation Of patches and of pitches, Not in a single world, In things said well in music, On the piano and in speech, As in the page of poetry- Thinkers without final thoughts In an always incipient cosmos. The way, when we climb a […]
The Grid of One
George W. S. Trow (1943-2006) (Photo: Lynn Davis/Pantheon Books) George Trow‘s essay, Within the Context of No Context, occupied the entire issue of The New Yorker in November of 1980. It is a timeless piece of writing, as is the introduction he wrote for the book version several years later, Collapsing Dominant. I reread both […]